I cleaned up my drawing table and have a stack of cut-up Panera boxes from a work lunch a while back. (I hate the amount of garbage and waste one lunch can produce.) I’ve decided to assign some parameter or limit to what I’ll create on them. The parameter is there has to be a man and a woman. That’s all. Not having some parameter before is why this stack of blank cardboard has been sitting here so long.
So, make and move on. And don’t think.
This is called “Women Point the Way to the Future.” (Funny how sometimes it’s very clear what the title is. This title was just there in my head when I finished. Most of my pieces have no titles unless I force one onto them.)
I was lucky this spring break: I got to spend some time in Portland, Oregon. On the way there, I had a layover in Los Angeles. Once back in my town, I went to my favorite coffee shop. Although I didn’t do nearly as much drawing as I’d have liked, it was a good break and I have these two sketches from the beginning of the week and the end.
As always, excuse the poor quality of the image. I take these photos with my imperfect camera in my imperfectly lighted studio.
I would say that I’m about the most non-political person around. I really don’t like spending time on the news and I hate politics and greedy, power-hungry people. But it’s hard to ignore politics these days. My fear and outrage are strong enough that I thought I should do something through art. I didn’t really know what to do, so I just started with an image of a certain public figure that’s been in the news a lot.
This past week a friend said she’d like to print up some bumper stickers to hand out to friends. I volunteered to design it. Turns out, it was good typography practice. I had several different versions, but there was a clear winner in the end. Before designing my own, I never gave much thought to bumper sticker design. Now I’ll be able to appreciate their good design as well as their messages.
I’ve been watching Graphic Design Tips & Tricks by John McWade on lynda.com. It’s pretty cool to hear him talk about what works and what doesn’t and why. Inspired by his video on just using typography, I made this for my daughter whose show choir, Amplitude, was going to their first competition this past weekend.
I printed it on card stock and stuck the postcard-sized message along with a personal note inside her shoe so she’d get it just before they performed. It looked so good, neither of my daughters guessed that I was the designer. They thought I just happened to find the perfect postcard in the store for the occasion!
For a little practice, I decided to design a new book cover for my all-time favorite book, A Tree Grows in Brooklyn by Betty Smith. Here’s what I came up with, after many ideas that quickly became too busy and complicated.
To be honest, I just changed it again after seeing how it looked on my blog. I’ve found that it’s very helpful to see it in different sizes and contexts.
I’m playing around a little more with interpreting the photos I’ve taken. It’s an interesting exercise in letting go of what you envisioned and just going with what you discover along the way. In art classes they always warned us away from working from photos, but I think there are some good things to learn from them.
This needs more work, but I have a goal of posting each Sunday night, so I will go with less than perfect tonight.
When I’m out walking my dog, I often see things that I don’t want to forget so I’ll pull out my phone and get a picture. Going through my (many) photos, I realized that I’d better do something with these before I forget why I even took the photo. Here is a graphic I made today from one of them.
Sadly I’ve been neglecting my Wacom tablet. Part of the problem, I think, is that I was so jazzed about all the things Photoshop could do.
What is it that reminded me that limits are good? I believe it was Learning By Heart again. (Corita Kent and Jan Steward) A hundred ideas is just about as bad as no ideas at all. At least, this is true for me.
So, here I am, returning to some basics, working with the simplest of lines and shapes in black and white.